AUTHOR’S NOTE: So concludes the series, the bulk of which was written in late 2023, inspired by the then-upcoming release of Wonka. Here is where we finally train our Crypto-K microscope onto the release date of Wonka itself, as well as the birth of its Star and recent Hollywood box-office record-breaker, Timothée Hal Chalamet.
We will finish (yes, sit back down, please) with a digestif, by finally incorporating the birth of the new Willy Wonka—Timothée Chalamet, born on 12/27/1995—and the upcoming release of Wonka on 12/15/2023 into the mix. You would expect them both to fit into this puzzle, wouldn’t you? It can’t be arbitrary that he’s the guy chosen to inherit the Wonka Mantle in 2023 - and if it isn’t arbitrary, it will (or should) be reflected in the timecode.
Here’s the map for where we’re going in part 4.
To be sure, Wonka is a big role for young Timothée. It’s hard to imagine him (or anyone) matching the charisma of Gene Wilder or Johnny Depp (but especially him), so a bad performance at the lead of this resurrected franchise (or worse, a poor box office performance) won’t play too well for him going into 2024 and beyond. Though his fanbase will eat it up regardless of any critical reaction, so it is probably a preordained success. No, with Wonka we are not seeing just another stupid movie: the data gathered here suggests that with Wonka we are witnessing some kind of ritual coronation of Chalamet as Prince of Tinseltown, and that coronation is reflected in the timing of it all—of course.
For example, on the day his turn as Willy Wonka releases to a general audience, Prince Chalamet will be 10216 days old. 216 is recognizable as the product of 6 x 6 x 6 (another one), but moreover, the whole number 10216 turns out to be the sum of 9110 + 1106. Recall again how the OG Wonka, Gene Wilder was born on 6/11. Hello, what is your Emergency?
Given this 911 numerology embedded in the timecode, subsequently investigating the mid-point between Chalamet’s birth and the Wonka release date feels a little like stumbling across an unmarked grave. Why? Because exactly square in the middle of Chalamet’s life as of the day Wonka is released “in theaters everywhere,” a prior acting generation’s Tinseltown it-girl died suddenly and strangely.
Her name was Brittany Murphy and she died on 12/20/2009. The timing of all of this might be construed as suspicious if it weren’t absolutely absurd to think anyone was planning such a thing out decades ahead of (or behind?) time according to an obscure numerological formula. It only becomes legible in retrospect as time proceeds and history is laid down, making it seem again that the lives of these people (us) are being used as implements in the design of some larger structure.
But here it also feels like a possibility that the death of Brittany Murphy powered the career of Timothée Chalamet—or the other way around. The sudden strange death of Brittany Murphy has long been interpreted by the more paranoid among us as an example of secret ritual sacrifice in the elite Hollywood circles. Did an elite society of Hollywood’s vampire cannibals arrange to have Brittany Murphy poisoned through their agent, the “bottom-feeder” Svengali conman/psychopath (and handler) Simon Monjack? What kind of name is Simon Monjack, anyway? Monjack and Brittany’s Mother were interviewed by Larry King shortly after her death, during which they were both incoherent, with her coming off as drugged out and Simon coming off also drugged out and like an even-creepier Humbert Humbert, discussing the “silky smooth and beautiful” (paraphrase) skin of Brittany’s corpse, as a reason for not doing an autopsy! At least one person close to the event expressed the view that the whole thing was some kind of put-on or show, which gives rise to the idea that Monjack’s activities were a public-facing front to take the blame for machinations beneath the surface. There may be reason enough to think this might be so, but Monjack’s nearly identical death a few months later (on the 30th anniversary of The Shining’s premiere) means no one will ever know.
Brittany Murphy was an icon in her own time. The gist of her real-life role in Hollywood was the girl who got there almost by accident, on the strength of her immense charm and highly driven attitude. Much like Mac Miller and Angus Cloud, Murphy was consumed by the system that gave rise to her stardom. Maybe (like Cloud) she was also too authentic. Her career peak came when she took a role opposite the man discussed back in part 3, Marshall Mathers (237, rev), aka, Eminem, in 8 Mile, the film about his rise to stardom. An on-screen romance overlapped with an off-screen casual encounter (it sounds like) between Mathers and Murphy. It was all downhill from there. Just going by the facts of the story as presented in the TV documentary What Happened, Brittany Murphy? it seems like there was never a time in her career when she wasn’t being used. It’s one of the more tragic tales in Tinseltown history (and that’s saying something). But if there was something “deeper, uglier” at play behind the man called Simon Monjack—we would not be the least bit surprised.
So there are reasons to suspect not just foul but occult-play in her death, but of course, with Crypto-K it’s the timing of Murphy’s death that emanates the strongest odors of oddness: on the exact mid-point between the birth of T. Chalamet and the release of his Wonka. One generation of Hollywood powered by a sacrifice of the prior? It’s not completely unthinkable.
Hollywood is certainly no stranger to bizarre and/or tragic deaths. The most powerful in recent history might be the death of Chadwick Boseman (from colon cancer) on 8/28/2020. We have a cause of death for Boseman and it’s officially not “poison,” but nevertheless, the optics of both deaths are similar: both Murphy and Boseman actually wasted away on camera before their (apparently) sudden deaths, with no one understanding the cause until it was over. The mid-point of their deaths was 4/25/2015, the day of the 2015 Nepal earthquake (rated X for max intensity) that killed 9000 people and injured or dislocated many thousands more. Here we’re reminded of the discussion all the way back in part 1 about the Depp/Musk mid-point: Monterey Pop, and the question of the chicken or the egg. Did the two deaths here relate to the massive earthquake, or did the massive earthquake relate to their deaths? Or was it actually human-scale action (the elites playing their harp) that made all of this just so? Or none of that at all?
The death of Chadwick Boseman, the Black Panther star and King of Wakanda within the Marvel Cinematic Universe (whose omnipresent author-insert Stan Lee was born 2037 days before Stanley Kubrick) sent a shockwave of grief down the spine of Hollywood, and especially the African-American community, no strangers to having their idols cut down at the height of their prime. Boseman was the latest example of this—actually a second punch to the gut after the shocking death of Kobe Bryant earlier in the year, and the fear and confusion all of it induced. This “911 of sports” happened exactly 23 + 23 days before 3/11/2020, the day the WHO declared Covid-19 a global pandemic—but more than that, on the day Kobe died, Stanley Kubrick would have been 91 years, 6 months old, making for a grand total of 1098 months—a number familiar from part 2.
But whether Boseman’s cancer (or Kobe’s crash, or Covid-19) came about naturally or were somehow induced, it feels like such traumas (and the media reaction to them) are intended to generate as great a shock and grief response in the minds of the ’viewing public’ as possible. The same thing motivated in certain ways the killing of JFK, in the ritual that James Shelby Downard called King Kill 33—now recall that Boseman played the King of Wakanda (sounds like Wonka), and we are told he died of Colon Cancer (CC=33). Hmm. But such a feeling can be bolstered by checking basic things like the time between the deaths of Kobe Bryant and Chadwick Boseman: exactly 216 or 6 x 6 x 6 days.
Another interval might tie firm the death of Boseman to the current Wonka Matrix, but where to look? We have been looking at Timothée Chalamet lately, and writing his name every which way to avoid having to type the full thing out every time. One of these shorthands was T-Chal—wonder if anyone ever calls him that in real life? It’s important because it’s also the given name of Boseman’s Black Panther: T’Challa. In other words, the new Willy Wonka actor’s name is quite nearly the same as the King of Wakanda (and Wakanda also sounds a lot like Wonka, you must admit). And the same T-Chal on the day of Wonka’s wide release will have lived exactly long enough so that the death of Brittany Murphy happened at his life’s exact mid-point. That ties Chalamet’s life in with two separate instances of famous young Hollywood death.
But there’s nothing on paper yet—no temporal Dimension—tying them together. So how old was T. Chalamet on the day the T’Challa actor died? Turns out he was 9011 days old when T’Challa died, which, when combined with how he will be 9110 + 1106 days old the day Wonka comes out (the m/p of that being the death of Murphy), comes across as pretty spooky indeed.
It gets worse though. Just look at this:
Here might be a good place to mention that Gene Wilder died on 8/29/2016, which means that the King of Wakanda died 4 years - 2 days after the original Willy Wonka, both of them on (or the-day-before) birthdays of Michael Jackson. It also means that with his 6/11/33 birthdate, Gene Wilder’s mid-point arrived on 1/19/1975, and he actually died on the 19th day of the 999th month of his life.
But so back to main street, heading toward the end of the road and the imminent release of Wonka on 12/15/2023. For whatever it’s worth, in his 1987 film Full Metal Jacket, Stanley Kubrick provided the voice of someone speaking on a radio (he was always most comfortable talking on the telephone). His character’s name? Murphy. It’s also the deadname of Paul Verhoeven’s Christ-figure, Robocop: Murphy. Alex Murphy, in fact. But instead of speculating on this any further, we’ll just be considering poor Brittany Murphy in the light of it, adding her to our pictograph and moving forward.
So we have established Chalamet as a serious comer in all this, but what about Johnny Depp, the now-elder Wonka? How old will the current King of the Hollywood Vampires be on the day Wonka lands “in theaters everywhere?”
Why, he will be exactly 60 years, 6 months, 6 days old.
Gwarsh, there’s that Number of the Beast again!
What to say about that, except why are we not surprised?
As is our way, we find the day half-way between this 666-coded span of time from Depp to Wonka comes to 9/11/1993. Almost speaks for itself, doesn’t it, a dateline which combines 911 and 93 well before Flight 93 crashed on 9/11/2001. And it turns out that this 9/11 in the year 1993 arrived 66 + 66 + 66 days after the 1993 World Trade Center bombing (the main result of any general search for “September 11 1993”). Remember that 93 is the number of Aleister ‘666’ Crowley (and also 23 + 70), and that the ‘93 WTC bombing occurred 666 weeks after The Shining premiered.
But beyond this, in terms of raw synchronicity this mid-point saw the premieres of a couple of influential TV shows worth noting. Actually it was the day before this on 9/10/1993 that The X-Files premiered its pilot episode. In other words on the morning of 9/11/1993, “water coolers were abuzz” about The X-Files which had premiered the night before, a classic yarn about UFOs in the Pacific Northwest. Given Musk’s penchant for the X-branding, it feels awfully appropriate to find it here.
As was mentioned in earlier parts, in 2023 Musk re-branded Twitter to X—on 7/23/2023 in fact, X went live. We bring it up again because of Johnny Depp’s age on the day X went live—21960 days. You should recognize this number from the previous two parts: 2196 = (42 + 153 + 237 + 666) x 2. This ties Depp to X, further emboldening the find of The X-Files premiere the day before the mid-point of the 60 years, 6 months, 6 days between his birth and the premiere of Wonka.
On the mid-point between Johnny Depp’s birth and the 23-7-23 X rebrand, or 7/1/1993—failed entrepreneur Gianluigi Ferri killed 9 people (inclusive of himself) and injured 6 on floor 34 of an office building at 101 California Street in San Fransisco. Ferri himself was born 12/29/1937, which means he was 55 years, 6 months and a few days old on 7/1/1993, and that means that when he snapped and went postal, he had just rounded out the 666th month of his life. In other words an almost exactly 666 month old man committed mass-murder-suicide (redrum) on the mid-point between the birth of Johnny Depp and 7/23/2023, the day Elon launched the new X—and it happened in San Francisco, too, just down the road from the future X headquarters.
Far out, but we’re not done here, not by a long shot. On the actual day with the spooky dateline, 9/11/93, another, more unassuming show saw its first airing: this one a Nickelodeon kids game-show called Legends of the Hidden Temple.
If you are of a certain age, you might remember it fondly. If you aren’t aware, Legends of the Hidden Temple was a show where teams of kids competed in a series of physical and mental exercises on a game-show set based (loosely) on ancient Mayan (by way of Indiana Jones) designs. In video-game terms, it was a live-action platformer with a team-switching mechanic, plus a little Trivial Pursuit to break up the physicality of the Temple Games. Teams compete elimination style in a series of games to win Pendants of Life for the privilege of performing the Temple Run: the climactic race which sees the final team of 2 making their way one-at-a-time through a series of “temple rooms” looking for keys and hidden levers to pull to open doors to progress to the top and “discover the Hidden Treasure” (aka Win the Tropical Family Vacation).
Each room has a different name and theme, for instance there is the “Heart Room,” which is painted as it sounds. It’s meant to look like the contestant child is crawling around inside a human heart—recall that removing the heart was a favorite form of ritual sacrifice with the Mayans. Yes, this means that here at the mid-point of the 60 years, 6 months, 6 days between the birth of Johnny Depp and the release of Wonka, there was a premiere of a TV show for kids that heavily employs design motifs of a culture known for their practice of ritual human sacrifice. Quickly recall the earlier discussion of the speculation surrounding the death of Brittany Murphy situated between the birth of T. Chalamet and the release of Wonka. It would seem that the evidence continues to mount.
We could leave it there and move on, but that’s not the way of Crypto-K. We know the title and the general concept and we know the day it premiered, but what actually aired on TV that day? What raw synchronistic (and novel) material filled the TV airwaves on that mid-point between Depp’s birth and the still-forthcoming Wonka? Does the actual TV broadcast on 9/11/93 have anything to do with the material that led to our noticing it?
Helpfully, the folks at Paramount studios have put the entire 1993 to 1995 run of the show on their streaming service, so we were able to go virtually back in time and watch the actual pilot episode that premiered on 9/11/1993, to see what was what. Just for fun, honestly—not expecting much. But as someone once said (on HBO), the closer you get, the more you look.
So let’s get closer to Legends of the Hidden Temple, Season 1, Episode 1.
It begins with a POV shot emerging from a jungle. It takes exactly 11 seconds for the camera to stop moving and settle on the face of Olmec—the show’s announcer, a red-eyed animatronic face-on-the-wall meant to resemble an ancient Olmec colossal head—ensconced between two burning torches that together make an 11. However these torches are not round, but square, and their inward slant technically makes them pyramids with torches on top, and they are adorned on the front by some edge-working which makes it look like each torch has a big M on it. Olmec then says, “Legends of the Hidden Temple!” and the logo and title of the show appear: the two halves of the Pendant of Life (bearing Olmec’s face) emerging from both sides of the screen, meeting in the middle, as the music kicks into high gear.
Already we are looking at a reification of the parent-thesis concept that brought us here on multiple fronts. We were already noting the significance of the mid-point’s being on 9/11 before we ever watched the premiere of Legends of the Hidden Temple and 11 seconds in found two burning towers right there on television: it would be exactly 8 years later on 9/11/2001, when the “two burning towers” concept would be expressed on TV again, only with much greater ferocity. Now count how many steps are visible next to Olmec in this shot. There are exactly 8 steps. That would match the 8 years from here leading up to 9/11/2001, right? As well as the 8 miles that make up Eminem’s home highway—or the 8 years of Robbie Middleton’s life before horrific disfigurement—or, perhaps, the $8 you have to spent per month for a subscription to X these days.
We won’t go into this much radical detail with the whole episode, but this opening 11 seconds is quite something. Who can we point to and say was responsible for this? Who produced this show? Well, the answer is a company called Stone Stanley Productions. It’s an interesting name for a production company—especially to find here, behind Legends of the Hidden Temple on 9/11/1993. Initially we were inclined to believe this name to be a pun on the explorers Stanley and Livingstone, but no, apparently it’s just the two last names of the guys who run the company: David G. Stanley and Scott A. Stone, as their names appear (with no pictures or birth information) on IMDB. Still, the reference to ‘Stanley’ and to ‘Stone’ amidst the veneer of Indiana Jones-esque exploration does resonate with the story of explorers Henry Morton Stanley and David Livingstone, a story that in itself can be viewed as a pun on the story of 2001: A Space Odyssey (or the other way around), if you view the Monolith in that film as a kind of living stone overseen by its director Stanley Kubrick (cube/brick). Of course it’s not the first time we’ve had the initials SS crop up, either (Sally and Shane, Slim Shady)—which are also double 19s.
Anyway, it’s Stone & Stanley to thank for the show (as if we needed to be told that). Thanks fellas. The objective of the first game is to cross a body of water using rope and an inflatable ring. In certain shots, the surface of the water is framed like the Monolith from an extreme low angle, generating a 2D pyramid with a black void at its apex. As water in motion we could interpret this liquid-monolith as just another form of the Living Stone. We may also be right in interpreting this opening game as a form of the ritual of Crossing the Abyss. That makes it sound more exciting than it really is—it’s pretty boring to watch (but maybe excitement wasn’t the point). The Green Monkeys and Purple Parrots perform terribly—just cannot get that ring back to the other side—are eliminated, and it’s off to the next game.
But wait. Even though they were terrible and have been immediately eliminated, in true kids-game show fashion the Green Monkeys and Purple Parrots “won’t walk away empty handed. Here’s what we’ve got for you!” Then we are shown the prize, and it is an ad for NERDS candy—how much candy is not specified. Is the prize just a box of Nerds? That would be a good joke: to reward their performance with a gift that calls them nerds. It’s worthy of Willy Wonka himself… and in fact it is advertised by Willy Wonka, too, as the conclusion of the ad reveals!
Let us note that we had been writing this piece on ‘Willy Wonka’ long before we arrived at Legends of the Hidden Temple on 9/11/93 and decided to watch it, and so of course before we ever knew Willy Wonka would be involved in the broadcast. It just happened that way—as these things do. None of the following episodes that we watched are sponsored by Wonka… only the first.
After the image of Willy Wonka departs the screen (at 4:20), the show proceeds with the Trivial Pursuit round (best if we just skip over it) and then more preliminary races to decide who will make the Temple Run. Both of these involve the kids traversing up and down the length of two tall square tower-like structures (or shafts), making as many runs as they can before the timer runs out.
They look like this:
It’s all just so weirdly blatant and in-your-face, but you never would have thought, never would have imagined at the time—on 9/11/1993 (the 9/11 which followed the 1993 WTC bombing by 66 + 66 + 66 days), and was found at the mid-point of the 60 years, 6 months, 6 days between the birth of 2005’s Willy Wonka, Johnny Depp, and the upcoming release of Wonka on 12/15/2023.
And all this the-day-after The X-Files premiered!
We can pretty much end our deep-field analysis of 9/11/1993’s Legends of the Hidden Temple pilot but for a few quick notes, both of which concern the presence of numbers on the broadcast. The last Temple Game has the kids climbing again, but this time two pillars that have a numbered 8-piece puzzle at the top they are meant to put together by going up and down with each individual piece (double 8 again). It’s also not that entertaining, but fits with the general themes being examined here. The other notable sync on the broadcast comes from the segment where they reveal that day’s Grand Prize: a family trip to the Cayman Islands, and a stay at the “290-room Ramada Treasure Island Resort.” Does the 290 look familiar?
If you recall the end of part 3, when discussing the central driving mid-point of the 8-way Wonka-Matrix: the downing of Iran Air Flight 655 on 7/3/1988, a candidate for mass-ritual sacrifice, specifically the sacrifice of 290 people that lost their lives in that crash (66 of them children), on that mid-point. So it seems a little macabre that here on this mid-point (237 x 8 days after the crash), we see a bunch of children competing for the chance to stay at this hotel with 290 rooms—and 2 + 9 = 11, of course. But maybe we’re the macabre ones for pointing it out?
Later Stone Stanley Productions would find greater success with their game show The Mole. This gives us an excuse to spin out a (possibly insane) set of associations regarding Elon Musk and moles. You see, “Elon Musk” is a fairly simple name inasmuch as there are only 8 characters, so natural anagrams don’t come in too many flavors. In fact an online anagram calculator says there are exactly 41 anagrams for “Elon Musk.” One of these is “Mole Sunk,” which is what happens to the Mole when they are found out (on the Stone Stanley show). Here we must propose a possible 42nd anagram for Elon Musk: Nu SK Mole. “Nu” is the 13th letter of the Greek alphabet and in astronomy indicates the 13th star in a constellation, so the anagram would translate to “13th SK Mole.” Anyone who has seen The Mole, or watched Tinker Tailor Soldier Spy, knows a mole can be a person engaged in espionage, but it can also be a small blind mammal that digs holes. The strange thing here is that in addition to rocketry Elon Musk is also an expert (it’s said) in digging tunnels underground via The Boring Company. So he’s literally like a mole in that sense. The idea or trope of “tunneling” or “burrowing” can be found across a diverse set of Crypto-K relevant media, from The Shawshank Redemption to Holes to even something like Being John Malkovich. In the case of this last one, the human puppeteer is the one crawling through a tunnel like a mole—a tunnel which leads into the driver-seat of John Malkovich, where he then becomes a mole inside the identity of Malkovich, an unseen operator. Nu SK Mole—as for the S and the K, consider that those are the 19th and 11th letters of the alphabet, respectively, fitting in with most recently Musk’s age the day Chadwick Boseman died (11019 days past his 19th birthday). They are also, of course, the initials of Stanley Kubrick, who died 237 days before the release of Being John Malkovich!
So anyway, all that emerged from examining the mid-point between Johnny Depp’s birth and the upcoming Wonka release date, which was 9/11/93. Depp’s age on the day of Wonka’s release—a passing of the candy-torch if you will from one Wonka to the next—encodes 666, (as does Chalamet’s) which will present to many people as the number of Satan, or the number of the Beast (for others it may call to mind Aleister Crowley). Hold on— is there a way to connect Johnny Depp to the “mole-matrix” idea explored in the previous paragraph? Because otherwise it feels like a digression. Interestingly, to answer that question you only have to ask one other: what happened on Johnny Depp’s 19th birthday? Musk’s 19th birthday received thousands of words of attention, while Depp’s will only require a few sentences. On 6/9/1982, the IAF launched a campaign of missile strikes against Syrian targets to begin the 1982 Lebanon War. This opening gambit was called Operation Mole Cricket 19. This name was first revealed years later in 2002, and there are some not-very interesting reasons given for why it received that name, but you can be sure none of them have to do with Johnny Depp turning 19 the same day. Of course, that’s what they would say...
So, does Johnny Depp (self-proclaimed Hollywood Vampire) proclaim to be a Satanist himself? No, but one clue lies in his friendship with Damien Echols, a confirmed Satanist who with two others was accused of a ritual triple homicide (wrongfully, says Johnny). Echols and the others were arrested in 1993 (note same as the year of the Depp/Wonka mid-point that got us here—’93) and became known as the West Memphis 3. Echols was born on 12/11/1974, putting him on the same 9-or-11 track as Johnny Depp and Gene Wilder.
Actually Echols’ birthday on 12/11 was the 3rd day after Johnny Depp became 11 years, 6 months old, also known as eleven-and-a-half, or exactly 1/2 of 23 years (23 for W). This is also known as 4200 days (as yes, there are 4200 + 4200 days in 23 years). Echols’ birth on 12/11/74 was also exactly 6 (or 2 x 3) months before Gene Wilder would turn 42. Again 11/6 or 6/11 or 9/11 or 11/6—they all keep appearing and re-appearing. How many total months is 11 years, 6 months? 138, or 69 + 69. Nice. Where does it end?
Maybe here: when you measure the time between the birthdays of Damien Echols and Timothée Chalamet, you find it’s surprisingly an exact 1098 weeks between them. If you recall what you read earlier about Kubrick’s age on Kobe’s death-day, and in part 2 before that, you’ll know that 1098 = 42 + 153 + 237 + 666, or exactly 1/2 of the 2196 weeks that separate Depp’s birth from his Wonka performance, and the Wilder Wonka’s premiere from Snowpiercer, aka the Sum of the First Four Seals!
So the time from Johnny Depp’s Satanist buddy Damien Echols’ birth to the birth of Timothée Chalamet is the same as one-half the time from Musk/Wonka to Snowpiercer and from Johnny’s birth to Charlie & the Chocolate Factory. To have found (by complete surprise) that the same numero-temporal framework that exists between all this (the Crypto-K tissue connecting media objects based on the character Willy Wonka, his players, and Elon Musk across time), also applies perfectly to the timespan between the only two new ‘characters’ to be brought into the discussion, actual Satanist Damien Echols, and the latest actor to play Willy Wonka, Timothée Chalamet… it’s genuinely staggering.
Honestly, what the fudge is going on here?
Finally, what about Elon? Mr. Nu SK Mole? From the birth of Elon Musk to Wonka, or in other words from the premiere of Willy Wonka & the Chocolate Factory to the upcoming release of Wonka, comprises a span of 459918 hours, a large number yet recognizable as divisible evenly by 153—because 459 is 153 x 3 and 918 ix 153 x 6. So it is 153 x 3006. Now, 3006 can reduce to 36, which is the number associated with 666 because that is the sum of the first 36 integers. But without cancelling the 0s, the number 3006 is special all on its own, because it’s equal to 1503 + 1503. That means that when you parent-thesize this configuration, there are 153 x 1503 hours from each ‘Parent’ to the “Child,’ which we will now examine more closely.
The mid-point of the first and last Wonka movies, and the mid-point of Elon Musk’s life as of the day Wonka releases (153 x 1503 hours either way) comes to 9/21/1997. Without beating around any bushes, this evening saw an episode of The Simpsons air—episode 1, season 9—titled “The City of New York vs. Homer Simpson,” an especially notable episode due to what it’s about and what it contains: the most famous and oft-cited example of so-called “9/11 predictive programming” in all of media: the NYC magazine cover which encodes “9/11” via the silhouette of the Twin Towers. Here is not just any episode of The Simpsons, in other words—here is that episode. And other than the magazine, it doesn’t take more than 33 seconds into the episode before something announces itself as being here with us, perfectly responding to what we’ve already said in just these two paragraphs.
At 33 seconds into the episode Moe looks at his watch and finds it to be 4:59 (about to turn 5). Remember how old we said Elon Musk will be on the release date of Wonka, the mid-point of which span saw this episode air? 459,918 hours. 459 - it’s 153 + 153 + 153. In order to make the 153-based math work, the addition was made of 6 hours to the total number (non-inclusive) measured by the date-calculator: 459,912—this is to say that if you subtract 1 hour from that total, it becomes 459,911. Now look again at the above screencaps. Eh? Eh? Here we have “459/911” announcing itself on a TV show that premiered at the mid-point of the two Wonka films, which were released on days roughly 459,911 hours apart. What is it? Who is it?
But so, that this episode—in which Barney steals Homer’s car and drives it to New York City, leaving it parked at the bottom of the World Trade Center, leaving Homer to deal with the parking tickets—full of retrospectively-loaded gags about the Twin Towers—one of the most infamous examples of The Simpsons “predicting the future” (syncing)—finds itself at the precise mid-point between these two movies about Willy Wonka, while we were already noting 9/11 syncs… it’s kind of incredible, is it not?
Not much more needs to be covered. The thought that is/was PURPLE REINED nears 100% completion. That doesn’t mean we’ve covered every possible avenue (we haven’t), but it’s enough to finally call it a night, and perhaps wait for the sequel.
To really and truly conclude we will look back to the point where we started and tie it tightly to where we will end, so that the package doesn’t bust open in transit, everything spilling out everywhere.
So we return to Gene Wilder, Mr. GW (strike that, reverse it), the OG Willy Wonka, and tie his birthday of 6/11/1933 (the earliest date covered here) to the future release of Wonka on 12/15/2023 (the latest date covered here).
He’s dead now, but the question remains, how old will he be in death? How old would Gene Wilder have been on the day Prince T-Chal takes hold of the Purple Reins and becomes the Wizard of Wonkaville?
From 6/11/33 to 12/15/23 = 33060 days, full count. Maybe you see it—something—already. The 33, the 36, the 306 (which is 153 + 153). Open your calculator, have some fun.
After a short time with the calculator and a working knowledge of Crypto-K, 33060 reveals itself as precisely 15300 + 17760.
Thus we find that Wonka will release 17760 days after Gene Wilder’s 15300th day of life.
How about a mid-point for the road?
Consider this the Grand Child of the Wonka-Matrix, from the earliest point to the latest: the precise center of the 15300 + 17760 day span separating Gene Wilder’s birth and the general release of Wonka in 2023.
Found: 9/12/1978. Mean anything to you?
9/12 is the-day-after 9/11, of course.
That means that yet again we find 9/11 lurking at the mid-point of a parent-thesis drawn between different members of the Wonka club and the release of Wonka.
But not just any 9/11… 9/11/1978... that’s… 2001 minus 1978… that’s
23 years
before 9/11/2001, right?
The upcoming 23rd anniversary of 9/11 in 2024 may close that circle for good then, but it’s a Subject for another Time.
- 2023
THANK YOU FOR READING
CRYPTO-K WILL RETURN
Omg You ARE The deep diver. That is some crazy shit Thank you for digging and sharing