That's All There Is, There Isn't Anymore
Robert Shawn Montgomery—"shawnfella"— 1959-2025
Shawn Montgomery <shawnfella@hotmail[dot]com>
Jan 16, 2018, 10:45 PM
The tropes come in ever more fragmented forms as one steps deeper into the maze.
A-maze-ing apparitions. Broken bits of magic spells. Dark incantations thrust forth from somewhere, jumbled and rearranged, then sprinkled down onto the timeline of a Century, or a piece of Cinema, or the life of an Individual, or a moment in the life of an Individual, Century, or Celluloid. Sifting through these "broken bits of magic spells" is like living in a place where the language is foreign. After time and repeated exposure, one begins to slowly come to understand, and even speak, the foreign language. So it is with Crypto-Surfing. The cut-up girl, the fragmented female, the REDRUM, can be seen as expressions of a deeply occult language emanating from an even more deeply occult agency. Something made the person or people chop up and destroy the girl. That same something made the girl be there to be killed and chopped up.
It could very well be that the something that is behind the creation and distribution of countless tropes—delineated and performed by human activity, the results sprinkled out onto the timeline macro-table—could be a function of our genetic coding. DNA as Puppetmaster, not just for shape, form and physical essence, but for what one will do with that body, and when it will do it. Fate. Destiny. A running program. A dna macro-sequence.
"History" is human dna, broken up into billions of individual cells (people) all working in concert while dancing to an omnipresent, silent beat. Effectively, we "act out" our entire, pre-programmed lives. DNA does not just set the body, but everything one will ever do with that body for the entire course of a pre-programmed existence. "Free will" is the "veil," a concept ingrained by the Bible. We think we have it, and this (our thinking) is how the dna clock ticks undetected, Puppet Strings invisible. We are only the vessels, the "mouthpieces" for "ideas" that we only "think" are our own. Our thoughts are hatched from the same place our bodies are hatched, the dna oven.
Astrology is the science of dna programming/imprinting. The position in space the Earth occupies for the nine months of gestation (when our lives are programmed in the womb, our bodies imprinted with all the activities and thoughts to come) are determinative, like magnetic tape heads cutting a track into a tape reel. We are "who we are" (the recorded "tracks") because of our spatial positions (the spinning curved track the Earth cuts through space for the gestation period) relative to the surrounding star systems and moon(s) (the magnetic tape heads) that define, then activate, the programming sequence. If celestial bodies influence humans (and the tides tell us they do), then this Puppet-String Theory is "a thing" (I'll warrant).
Maybe Planet Earth and everything that has ever happened on it is a form of Art.
Or, the ultimate Science Project. Maybe, instead of making movies, the Creator(s) make historical timelines that dna modules act-out (on seeded worlds). It is not just the animal forms that the Creator creates (with the dna paintbrush), but everything that happens to the dna superstructure after it has been collectively born. "History" is a "tone poem," a super-hyper-omni-advanced emoji. We may have an "audience" (other than the Creator). We may be "interactive." Maybe the Creator-class-of-Being can insert itself into the creation.
Maybe we're a Game.
